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Company 02
Full-time
Los Angeles, US
Worldwide remote
Within a month
About 7 hours ago
Company 02
Full-time
Los Angeles, US
Worldwide remote
$15 minute
ASAP
2 days ago
Company 02
3 days ago
Company 02
Part-time
Panama City, US
Synchronous remote
ASAP
8 days ago
Company 02
Part-time
Manchester, GB
Worldwide remote
ASAP
8 days ago
Company 02
Full-time
Los Angeles, US
Worldwide remote
ASAP
9 days ago
Company 02
One-off project
Staunton, US
Worldwide remote
$300 for first project.
ASAP
11 days ago
Company 02
Full-time
London, GB
Synchronous remote
$2,500-$3,500 monthly
ASAP
15 days ago
Company 02
Full-time
London, GB
Synchronous remote
$60k - $100k per year
ASAP
15 days ago
Company 02
One-off project
Los Angeles, US
Worldwide remote
ASAP
20 days ago
Company 02
Full-time
London, GB
Worldwide remote
500-1000$
ASAP
20 days ago
Company 02
Part-time
Covington, US
Worldwide remote
ASAP
21 days ago
Company 02
Full-time
Paphos Municipality, CY
Worldwide remote
$700
ASAP
29 days ago
Company 02
Full-time
Hyderabad, IN
Worldwide remote
$50-$100 per video
ASAP
About 1 month ago
Company 02
Part-time
Las Vegas, US
Synchronous remote
ASAP
About 1 month ago
Company 02
Full-time
Manila, PH
Worldwide remote
$800/month
ASAP
About 1 month ago
Company 02
Part-time
Montreal, CA
Worldwide remote
Within a month
About 1 month ago
Company 02
One-off project
Tucson, US
Hybrid
100$
ASAP
About 2 months ago
Company 02
Part-time
London, GB
Synchronous remote
£10 per month
ASAP
About 2 months ago
Company 02
One-off project
London, GB
Synchronous remote
£5 per project
ASAP
About 2 months ago
Company 02
Part-time
Manchester, GB
Worldwide remote
ASAP
2 months ago
Company 02
Part-time
Hagerstown, US
Worldwide remote
ASAP
2 months ago
Company 02
Part-time
US
Worldwide remote
2.5% commission (negotiable)
Within a month
2 months ago
Company 02
2 months ago
Company 02
Part-time
New York, US
Worldwide remote
ASAP
2 months ago
Company 02
Full-time
Paphos Municipality, CY
Worldwide remote
$1,5K + Bonus (Monthly)
ASAP
2 months ago
Company 02
MrBeast • 9 Open jobs
Full-time
Greenville, NC
Onsite
ASAP
Company 02
Airrack • 1 Open job
Full-time
Los Angeles, USA
Onsite
Company 02
Preston • 9 Open jobs
Dallas, Texas, US
Hybrid
Company 02
Mark Rober • 1 Open job
Full-time
Mountain View, CA
Onsite
Company 02
Dhar Mann Studios • 23 Open jobs
Burbank, California, US
Hybrid
Company 02
LiveGlam • 2 Open jobs
Full-time
Burbank & Los Angeles, California, US
Onsite
Company 02
Nas Daily • 13 Open jobs
Worldwide
Onsite
Company 02
Yomi Denzel • 9 Open jobs
Paris, France
Synchronous remote

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Available creative professionals

Developer's avatar

Production Sound Mixer with 12 years in production sound and 3 with post sound.

user-clock Recently Active
Operations
Production
Shorts / Reels / TikToks

I have 12-years of sound experience with ENG & cart-based work on documentaries, commercials, podcasts, branded content, and narrative film. I've worked a lot for YouTube and Fullscreen in various capacities. I started in post sound as a dialogue editor and foley artist at Private Island Audio and continue to use my learned post sound skills on short form content and live Pro Tools playback jobs. Some credits include "Abbott Elementary", "Book of Boba Fett", "Fall", "The Offer", "For All Mankind", "Call Her Daddy" and even recording for artists like Gabrielle Union's social media. I'm passionate about providing filmmakers with an easy but thorough sound experience. Let me take the worry of sound off your plate. It's my highest priority to preserve the performance given on set while having the smallest footprint possible. Call, text or email anytime. Thanks for considering! 614-506-4534 polskisound.com [email protected] My favorite sound mixer (everybody has one, right?) is Mark Ulano. His work hasn't needed a line of ADR in the last 25 years and I believe that is because of his preparedness. That's why I read scripts multiple times, take extensive notes, make an excel sheet for wilds and effects needed, and contact most department heads prior to every production. Every department affects and is affected by sound, which is great a reason to have a positive, efficient and professional attitude. I record onto three different media simultaneously that's always backed up on a second running recorder (tentacle track E or MixPre3) just in case. Files are kept on average for four months unless otherwise specified. I own x3 Sound Devices mixers, x12 Lectrosonics lavs, x16 Comtek IFBs, x3 Smart Slates, Schoeps, Sanken and Sennheiser booms.

Developer's avatar

Editor | 14 years experience | Documentaries, Podcasts, Brand Identity

user-clock Recently Active
Content Strategy
Motion Design
Production
Shorts / Reels / TikToks
Video Editing

Meet Joe, former editor at Dragonfruit Media, he edited short- and long-form video content for high-profile clients like Alex Hormozi, Mike Posner, Codie Sanchez, 10X Capital, WHOOP, and more.. From Southern California, Joe has spent over a decade honing his craft in Asia. With a portfolio that boasts features on top tier outlets like BBC, National Geographic, Gizmodo, Mashable, VICE, Culture Trip, UNILAD, CBS News, and Shanghaiist, Joe's work is renowned for its technical innovation and artistic flair. His magnum opus, a seven-year time-lapse documenting the rise of the Shanghai Tower, earned international acclaim and solidified his reputation as a master of his craft. Joe's expertise extends far beyond timelapse photography, as he's also a skilled animator and narrative producer. His content seamlessly blends humor with insight, engaging audiences and inspiring new perspectives. With a keen eye for detail and a commitment to pushing the boundaries of visual storytelling, Joe continues to collaborate with like-minded creatives on projects that merge technical innovation with artistic expression. When he's not chasing the next great shot in Thailand, Joe is likely experimenting with new techniques, exploring the intersection of technology and art, or mentoring the next generation of visual storytellers. With a career spanning over 14 years, Joe is now more than ever dedicated to inspiring and educating others through his work. If you got this far you can see examples here: https://drive.google.com/drive/folders/14L2LHQNpSbEHu-Wdn7U9A9cNgOFlHght?usp=drive_link

Developer's avatar

Color Grading

user-clock Recently Active
Video Editing

What makes me unique as a creative professional is my obsession with storytelling through color. I don’t just color grade for aesthetics—I grade to enhance emotion, direct the viewer’s eye, and deepen narrative impact. I see each frame as a painting and every scene as a journey that color can guide. Whether it's evoking tension through cold palettes or crafting nostalgia with soft highlights and halation, I bring intention to every hue and shadow. I taught myself the art of color grading by reverse-engineering the work of top colorists like David Cole, Tom Poole, and Stephen Nakamura. I’d spend hours breaking down cinematic looks shot-by-shot, and rebuilding them inside DaVinci Resolve—without LUTs—learning not just how to do it, but why it worked. Over time, I developed a deep understanding of color science, node-based workflows, and cinematic color theory. My recent milestone was building a color-managed pipeline using DWG/Rec709 with custom film emulation that accurately mimics Kodak Vision3 tones—something most beginner colorists struggle to control. But beyond technical skill, what drives me is passion. I genuinely love collaborating with directors, DPs, and editors to find the emotional truth in every project. I approach color not as a filter, but as a language. I thrive in problem-solving under pressure, translating log footage into emotionally resonant, deliverable-ready final grades—whether it's for narrative film, music videos, or branded content. What sets me apart is that I bring both artistry and accuracy to the table. I can analyze footage with scopes like a technician and shape it like a painter. I work fast, I’m fluent in color management, and I’m always learning—from references, from failures, and from every frame I touch. If you’re looking for someone who can not only make your footage look good but feel right, I can help where others can’t.

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