Production Sound Mixer with 12 years in production sound and 3 with post sound.

I have 12-years of sound experience with ENG & cart-based work on documentaries, commercials, podcasts, branded content, and narrative film. I've worked a lot for YouTube and Fullscreen in various capacities.

I started in post sound as a dialogue editor and foley artist at Private Island Audio and continue to use my learned post sound skills on short form content and live Pro Tools playback jobs.

Some credits include "Abbott Elementary", "Book of Boba Fett", "Fall", "The Offer", "For All Mankind", "Call Her Daddy" and even recording for artists like Gabrielle Union's social media.

I'm passionate about providing filmmakers with an easy but thorough sound experience. Let me take the worry of sound off your plate. It's my highest priority to preserve the performance given on set while having the smallest footprint possible.

Call, text or email anytime.

Thanks for considering!
614-506-4534
polskisound.com
[email protected]

My favorite sound mixer (everybody has one, right?) is Mark Ulano. His work hasn't needed a line of ADR in the last 25 years and I believe that is because of his preparedness. That's why I read scripts multiple times, take extensive notes, make an excel sheet for wilds and effects needed, and contact most department heads prior to every production. Every department affects and is affected by sound, which is great a reason to have a positive, efficient and professional attitude.

I record onto three different media simultaneously that's always backed up on a second running recorder (tentacle track E or MixPre3) just in case. Files are kept on average for four months unless otherwise specified.

I own x3 Sound Devices mixers, x12 Lectrosonics lavs, x16 Comtek IFBs, x3 Smart Slates, Schoeps, Sanken and Sennheiser booms.