Editor and Colorist with 4 years of experience in long form content

I started my career in post-production as an assistant editor at P4E Productions, a Quebec-based TV and documentary cooperative. Over nearly five years, I worked on documentary series and TV shows, handling everything from the initial selects to the final cut. What I love most about editing is the derush phase — going through hours of footage and finding the structure that's already there, waiting to be uncovered. Building dialogue, shaping a narrative arc, that's where I feel most at home.

From there, I specialized in color grading at Studio Élément, a high-end post-production house in Quebec, where I worked on TV shows, commercials, documentaries, music videos, and feature films for over three years. That experience changed the way I see footage. When I'm selecting a shot now, I'm already reading how color will serve the emotion of the sequence. Editing and grading aren't two separate jobs for me — they're two sides of the same work.

Back in France and based near Nantes, I'm now focusing on bringing both skill sets to content creators and agencies who want a single point of contact from timeline to final delivery. I work remotely on DaVinci Resolve Studio, with a calibrated monitoring setup and the ability to run live remote sessions via Louper. I'm reliable, autonomous, and comfortable with regular volume.
If you're looking for an editor who delivers finished, color-graded content without the back-and-forth — let's talk.